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By Antony Rowland

This booklet analyzes Holocaust poetry, warfare poetry, working-class poetry, and 9-11 poetry as kinds of testimony. Rowland argues that testamentary poetry calls for a unique method of conventional methods of facing poems because of the strain of the metatext (the unique, anxious events), the poems’ calls for for the hyper-attentiveness of the reader, and a paradox of id that regularly attracts the reader in the direction of deciding on with the poet’s adventure, yet then reminds them of its sublimity. He engages with the paintings of a various variety of twentieth-century authors and around the literature of numerous nations, even uncovering new archival fabric. The research ends with an research of the poetry of September 11, attractive with the concept that it typifies a brand new period of testimony the place international, secondary witnesses react to a proliferation of media pictures. This booklet levels around the literature of numerous international locations, cultures, and ancient occasions in an effort to rigidity the big number of contexts within which poetry has functioned productively as a kind of testimony, and to notice the significance of the supply of translations to the formation of literary canons.

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Poetry as Testimony: Witnessing and Memory in Twentieth-century Poems (Routledge Studies in Twentieth-Century Literature) by Antony Rowland


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